Behind the Praise - Sunday December 27, 2009

BLENDED SERVICE 9:30AM

“How can I keep from Singing”

There is an endless song echoes in my soulI hear the music ring and though the storms may comeI am holding on to the rock I clingHow can I keep from singing Your praiseHow can I ever say enoughHow amazing is Your loveHow can I keep from shouting Your nameI know I am loved by the KingAnd it makes my heart want to sing Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.

Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo

Click here to worship along with Chris:
www.youtube.com/watch?v=tQI5wxtH6OY&feature=related

“Immortal Invisible, God only Wise”

Based on I Timothy 1:17, "Now unto the King eternal, immortal, invisible, the only wise God, be honour and glory for ever and ever", "Immortal, Invisible, God Only Wise" reminds us of the awe and reverence that we need to have as we worship our God. Even as we cannot see the sun, we see merely the light reflected by the hot gases surrounding the sun, so God’s glory is hid from our eyes. Even the angels cover their faces in God’s presence (Isaiah 6:2) because they cannot look on God’s full glory.
"Immortal, Invisible, God Only Wise" draws from other Scriptural references as well. "The Ancient of Days" from stanza one is from Daniel 7:9. "Thy justice like mountains" from stanza two is from Psalm 36:6. Originally written with six stanzas, stanza four referenced II Corinthians 3:15-16. The original stanzas four and five were combined to make the contemporary fourth stanza.
Great Father of Glory, pure Father of Light,Thine angels adore thee, all veiling their sight;But of all thy rich graces this grace, Lord, impart -Take the veil from our faces, the vile from our heart.
All laud we would render; O help us to see 'Tis only the splendour of light hideth thee, And so let thy glory, almighty, impart,Through Christ in his story, thy Christ to the heart.
"Immortal, Invisible, God Only Wise" was first published in Hymns of Christ and Christian Life, (1876). The text was altered by the author and published in W. Garrett Horder’s Congregational Hymns. (1884)

Click here for a finger picking guitar arrangement:
www.youtube.com/watch?v=P4Tmq_B2eIg

Click here for a tower bell arrangement:
www.youtube.com/watch?v=Jodz3Muw8i8&feature=related

Click here for a newer arrangement by Daniel Rodriguez:
www.youtube.com/watch?v=kiV3ODJA9Ik

“How Great Thou Art”

The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.

How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.

Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=

“Did You Feel the Mountains Tremble”

Martin Smith is the lead vocalist, rhythm guitarist, and main songwriter of the English Christian rock and worship band Delirious? He is generally considered to be one of the foremost songwriters in modern Christian worship music. Some of the most recognized songs by Delirious? include "I Could Sing Of Your Love Forever”, "History Maker", "My Glorious", "Did You Feel the Mountains Tremble", "Shout To The North", "Deeper", "Majesty (Here I Am)", and "What A Friend I've Found".

In 1995, Martin was involved in a near-fatal car accident, and during the weeks of his recovery, he decided to become a full-time musician. He wrote the 'King Of Fools' song 'August 30th' based on this experience.

Click here for the story behind the song
www.theheartofworship.org/stories/Story-197-DidYouFeeltheMountainsTremble-Smith.mp3

Click here to listen to the song
www.youtube.com/watch?v=H4Q5vVa0q8Q

Click here to sing along:
www.youtube.com/watch?v=ICRukDH7eKo

Click here to watch Martin Smith:
http://www.youtube.com/watch?v=vO_bKR2Wzhk&feature=related

"Mary did You know"

Mark Lowry is best known as a singer and comedian who spent more than a decade as a regular fixture of Bill Gaither's vocal band. But years from now, when all is said and done, Lowry's most enduring legacy will probably be the beautiful little song that he wrote 18 years ago as a meditation for a Christmas program at his church.In 1984, the leaders at Lowry's Nashville congregation asked him if he'd be willing to write a musical for Advent. He gladly agreed.Inspiration came as Lowry focused his heart and mind on the wonder of Christmas."I tried to picture Mary holding the baby Jesus on the first Christmas morning and wondered what she was thinking about that child," he says. "She knew he was special—the Virgin Birth was her first clue—but could she ever imagine all the things that he would do while he was here?"Soon, Lowry came up with a series of questions that he would like to ask Mary: "Did she know he would walk on water? Raise the dead? Give sight to the blind?"Lowry decided to use the questions as a monologue to be recited between the scenes of his musical. But the profundity of those questions lingered in his mind long after the church musical was done.Six years later, harmonica virtuoso Buddy Greene supplied just the right music and "Mary, Did You Know?" was complete.Since then, Lowry and Greene's tune has become a modern classic. It has been recorded by more than 30 different artists (besides Lowry), including Kenny Rogers, Kathleen Battle, and Reba McEntire."I hear from a lot of people who have sung it in the church choir for Christmas and Easter programs," says Lowry. "When I wrote it, I felt there was something special there, but I never imagined how wide-reaching it would become."

Click here to listen to the song:
www.youtube.com/watch?v=IfpK6cNPF7Y

CONTEMPORARY 11:00AM


"Open up the Gates"

This worship song is by the group Planetshakers: Living by the core Planetshakers mandate "to empower a generation to win a generation", the Planetshakers Band are passionate and anointed. United by the vision set by Senior Pastors Russell & Sam Evans, they travel internationally, bringing God's breakthrough anointing to conferences and churches worldwide. Dedicated to the cause of Christ, it is their desire to see this planet impacted by the power God. Team members include worship leaders Henry Seeley, Sam Evans, Rudy Nikkerud and Matt Garner, drummer Mike Webber, guitarist and keyboard player Jonathon Hunt.

Click here to learn more about the Planetshakers:
www.planetshakers.com/


Click here for an arrangement of the song:
www.youtube.com/watch?v=8L-2BElFeAY&feature=related

“Holy is the Lord”


Chris Tomlin wrote this song after meditating on Isaiah 6. He was intrigued by the passage where the angels called to one another. The phrase “Holy is the Lord and the earth is filled with his glory” kept ringing in his mind. He met up with Louie Giglio who had been meditating on the passage in Nehemiah where after Israel rebuilt the wall they built a wooden tower and opened the word of the lord. When this happened the people stood and lifted their hands then also bowed down. Louie was struck by the picture in his mind and wrote the following phrase in his journal:

“It’s rising up all around, it’s the anthem of the Lord’s renown”

Click here to listen to Chris & Louie Giglio talk about how the song came about:
www.youtube.com/watch?v=Nv6hSdbfo2E

Click here to worship and sing-along
www.youtube.com/watch?v=HSKN5PX_3a0&feature=related

Click here to worship along with Chris Tomlin
www.youtube.com/watch?v=3X4CwGGJQMI


"Jesus Paid it All"

The following is from Alex Nifong who wrote the additional chorus:
I have an old hymnal that I frequently play through sometimes during my private times alone with the Lord. I was playing through that song one day in Jan of 05 and I just started praying and singing out the phrase O praise the One who paid my debt and raised this life up from the dead. It was as simple as that. Just a prayer that came right out of my heart. This is a new arrangement of the old hymn, based on the recording from the Passion album "Everything glorious". It adds a new line "O praise the One who paid my debt and raised this life up from the dead".


Check out the composer of the tag on his website
ww.alexnifong.com/

Here’s a story about the song:
The words were written by Elvina M. Hall and the music by John T. Grape on New Year’s night, 1886, some missionaries were holding open-air services in order to attract passers-by to a near-by mission, where meetings were to be held later. "All to Christ I owe" was sung, and after a gentleman had given a short address he hastened away to the mission. He soon heard footsteps close behind him and a young woman caught up with him and said: "I heard you addressing the open-air meeting just now; do you think, sir, that Jesus could save a sinner like me?"The gentleman replied that there was no doubt about that, if she was anxious to be saved. She told him that she was a servant girl, and had left her place that morning after a disagreement with her mistress. As she had been wandering about the streets in the dark, wondering where she was to spend the night, the sweet melodies of this hymn had attracted her, and she drew near and listened attentively. As the different verses were being sung, she felt that the words surely had something to do with her. Through the whole service she seemed to hear what met her oppressed soul’s need at that moment. God’s Spirit had showed her what a poor, sinful and wretched creature she was, and had led her to ask what she must do. On hearing her experience, the gentleman took her back to the mission and left her with the ladies in charge. The young, wayward woman was brought to Christ that night. A situation was secured for her in a minister’s family. There she became ill and had to be taken to a hospital. She rapidly failed and it became evident that she would not be long on earth. One day the gentleman whom she had met on New Year’s night was visiting her in the ward. After quoting a few suitable verses of Scripture, he repeated her favorite hymn, "All to Christ I owe"…and she seemed overwhelmed with the thought of coming to glory…Two hours afterward she passed away.

Click here to worship along
www.youtube.com/watch?v=onxhvivQYfI

Click here to worship along with a younger generation led by Kristian Stanfill:
www.youtube.com/watch?v=i-OOjfaBGnA&mode=related&search=

You can go here to Kristians' myspace and click on the song just to listen
www.myspace.com/kristianstanfill

WOW - here it is in Spanish
www.youtube.com/watch?v=zRRBtWP_buA


"True Love"

This powerful song about the love of God was written by Phil Wickham. Phil Wickham’s music has been called every flowery adjective in the thesaurus and some that may have even been made up. And while they are often accurate descriptors they are at the same time distracting. When hearing these buzz words it’s too easy to lump an artist into a meaningless equation consisting of two musical references, a vague genre title and a classic predecessor. Welcome to missing the point. The point is that Wickham is at his core a humble and sincere artist who writes songs and worships God using the medium of music. It is with that brush that he paints images of a loving and creative God across the canvases of listeners’ hearts and minds.

Click here to learn more about Phil Wickham:
http://philwickham.com/blog/

Click here to visit Phils' myspace:
www.myspace.com/philwickham

Click here to listen to the song:
www.youtube.com/watch?v=9gU-ejQxEXk

Behind the Praise - Sunday December 20, 2009

"Go Tell it"

"Go Tell It on the Mountain" is an African-American spiritual dating back to at least 1865 that has been sung and recorded by many gospel and secular performers. It is considered a Christmas carol because its original lyric celebrates the Nativity: "Go tell it on the mountain, over the hills and everywhere; go tell it on the mountain, that Jesus Christ is born."

Like many carols, the precise history of “Go Tell It on the Mountain” is a bit fuzzy. Although generally considered an anonymous work, Studwell believes the piece was written by Frederick Jerome Work (1880-1942), a black composer, teacher and scholar. Work was deeply involved in the collection, arrangement and dissemination of black spirituals, so it is possible, says Studwell, that Work only discovered and preserved the song. However, Studwell’s research has led him to believe that Work actually penned the piece, which was then arranged and disseminated by his nephew John Wesley Work. Studwell places its first publication in the early 1900s, but the piece gained little notice until the 1920s when the Fisk University Singers began performing the song. Even then, it did not make much of a splash.“I looked through hundreds of carol collections and other song books and I could not find it in any collection prior to the 1950s,” says Studwell. About that time the song steadily began to gain in popularity, winning over listeners with energetic beat and its enthusiastic call to action. “Most carols of the 20th century are not so enthusiastic. This is more like some of the older carols, like Joy to the World or Come All Ye Faithful in that regard,” says Studwell. “It shows some real enthusiasm for the Christmas holiday."

Click here to listen to James Taylor sing the song:
www.youtube.com/watch?v=ifEUn1AxDYo

Click here to see the various arrangements available:
www.youtube.com/results?search_query=go+tell+it+on+the+mountain+&search_type=&aq=f

"Angels from the Realms of Glory"

The author of Angels From the Realms of Glory was an Irishman called James Montgomery. He came from a religious family background and sadly his parents, who were missionaries died following their vocation. Angels From the Realms of Glory was written in 1816. The music for Angels From the Realms of Glory was composed by Henry Smart. The lyrics of Angels From the Realms of Glory tell the story of the shepherds, sages and Saints.

Click here for a stirring arrangement:
www.youtube.com/watch?v=W-pb456fN20

Click here for the various arrangements available:
www.youtube.com/results?search_query=angels+from+the+realms+of+glory+&search_type=&aq=f

"Angels We have Heard on high"

The words of the song are based on a traditional French carol known as Les Anges dans nos Campagnes (literally, The Angels in our Countryside). Its most common English version was translated in 1862 by James Chadwick. It is most commonly sung to the hymn tune "Gloria", as arranged by Edward Shippen Barnes. Its most memorable feature is its chorus: Gloria in Excelsis Deo! (Latin for "Glory to God in the highest")

Click here to listen to the Third Day arrangement:
www.youtube.com/watch?v=0K17zGHFrKU


"Hark the Herald Angels Sing"

“Hark the herald angels sing” Christmas Carol was written by Charles Wesley, brother of John Wesley founder of the Methodist church, in 1739. A sombre man, he requested slow and solemn music for his lyrics and thus “Hark the herald angels sing” was sung to a different tune initially. Over a hundred years later Felix Mendelssohn (1809-1847) composed a cantata in 1840 to commemorate Johann Gutenberg's invention of the printing press. English musician William H. Cummings adapted Mendelssohn’s music to fit the lyrics of “Hark the herald angels sing” already written by Wesley.

Click here to listen to the song:
www.youtube.com/watch?v=LDPwNPAV6tAg:

Click here see the various arrangements available:
www.youtube.com/results?search_query=hark+the+herald+angels+sing&search_type=&aq=f

"Joy To The World"

One of our most popular Christmas carols is the result of the efforts of Isaac Watts and Lowell Mason—and, some believe, George Frederick Handel. Watts was a frail, quiet man only five feet tall. Mason was an energetic publisher, choir director, and composer. Handel was a large, robust musical genius. Handel and Watts were contemporaries in London and one imagines they must have appreciated each other's talents. Mason lived 100 years later in Boston.
In 1719 Isaac Watts, already a notable scholar and author, sat down under a tree at the Abney Estate near London and began to compose poetry based on Psalm 98. Watts had begun writing verses as a small child. In his teen years he complained that the songs in church were hard to sing. His father said, "Well, you write some that are better." And so he did. For the next two years, young Isaac wrote a new hymn each week. (He would eventually write more than 600 of them, all based on Scripture.) Today, hymns like "Alas! and Did My Savior Bleed" and "When I Survey the Wondrous Cross" are hallmarks of the Christian church, and Watts is regarded as "the Father of English Hymnody."In 1741 George Frederick Handel, who was already famous as the composer of several operas and oratorios, decided that he wanted to do a truly great work. After spending time in prayer, he arose from his knees and for 23 days labored almost continuously day and night. The immortal Messiah, now a Christmas tradition, was the fruit of that incessant struggle.A nobleman once praised Handel for the "entertainment" he had furnished in one of his compositions. In no uncertain terms Handel let the nobleman know that his music was composed to make men better, not to entertain them.Almost a century later, Lowell Mason set Watts's poem of "joy" to music. For years it was assumed that Mason used tunes from Handel's Messiah for portions of the arrangement, but the veracity of that claim is now debated among scholars. Listeners can judge for themselves. But this we know: It was Mason who ultimately brought the pieces together to give us "Joy to the world"

Click here to listen to the acapella group Take 6:
www.youtube.com/watch?v=evywpq32Oa0

Click here if you like Michael Bolton:
www.youtube.com/watch?v=CXY8Vtnrsxc

Click here for the various recordings:
www.youtube.com/results?search_query=joy+to+the+world&search_type=&aq=f

Flute Choir: "Bright and Glorious Sky"

CONTEMPORARY 11:00AM

"Hark the Herald Angels Sing"

“Hark the herald angels sing” Christmas Carol was written by Charles Wesley, brother of John Wesley founder of the Methodist church, in 1739. A sombre man, he requested slow and solemn music for his lyrics and thus “Hark the herald angels sing” was sung to a different tune initially. Over a hundred years later Felix Mendelssohn (1809-1847) composed a cantata in 1840 to commemorate Johann Gutenberg's invention of the printing press. English musician William H. Cummings adapted Mendelssohn’s music to fit the lyrics of “Hark the herald angels sing” already written by Wesley.

Click here to listen to the song:
www.youtube.com/watch?v=LDPwNPAV6tAg:

Click here see the various arrangements available:
www.youtube.com/results?search_query=hark+the+herald+angels+sing&search_type=&aq=f

"O Come All Ye Faithful"

Also known in Latin as "Adeste Fidelis", this Christmas carol is credited to an English hymnist named John Francis Wade (1711-1786). Written originally in Latin, 'O Come All Ye Faithful', it was penned as a hymn by an Englishman called John Wade. In Latin, it is known as 'Adeste Fideles'. Another Englishman called John Reading composed its music in early 1700s, which was first published in 'Cantus Diversi' in 1751. Rev. Frederick Oakley translated it to English in 1841.

Click here to read more about the history of the song:
http://en.wikipedia.org/wiki/Adeste_Fideles

Click here to listen to Bianca Ryan sing the song:
www.youtube.com/watch?v=7I8XAf4Rwa4

Click here to hear a traditional setting:
www.youtube.com/watch?v=_ZKp4npV47Q&feature=related

Click here for the various recordings of this Carol: www.youtube.com/results?search_query=o+come+all+ye+faithful&search_type=&aq=f

"O Little Town of Bethlehem"

Rector Phillips Brooks (1835-1903) of Philadelphia, wrote the words to O Little Town of Bethlehem in 1868, following a pilgrimage to the Holy Land. He was inspired by the view of Bethlehem from the hills of Palestine especially at night time hence the lyrics of O Little Town of Bethlehem. His church organist Lewis Redner (1831-1908) wrote the melody to O Little Town of Bethlehem for the Sunday school children's choir.

Click here to listen to Sarah McLachlans's version:
www.youtube.com/watch?v=ioStjMFOJZs

"Away in a Manger"

Away in a manager is always the first carol that children are taught. Away in a Manger was originally published in 1885. The publication of Away in a Manger was in a Lutheran Sunday school book and this created the misconception that the lyrics of Away in a Manger were actually written by Martin Luther himself. The author is unknown. The music to Away in a Manger was composed by William J. Kirkpatrick in 1895.

Click here to see the various versions available:
www.youtube.com/results?search_query=away+in+a+manger&search_type=&aq=f

Click here to hear celtic arrangement:
www.youtube.com/watch?v=wOJb6uOF05Q

Behind the Praise - Sunday December 13, 2009

BLENDED 9:30AM

"The First Noel"

The word Nowell comes from the French word Noël meaning "Christmas", from the Latin word natalis ("birth"). It may also be from the Gaulish words "noio" or "neu" meaning "new" and "helle" meaning "light" referring to the winter solstice when sunlight begins overtaking darkness.

Click here to read more about the song:
http://en.wikipedia.org/wiki/The_First_No%C3%ABl#Animaniacs_parody

Click here to hear Helmut Lotti sing the song:
www.youtube.com/watch?v=We4xRHMuCNg&feature=related**

Click here for an interesting arrangement - one person, two guitars:
www.youtube.com/watch?v=6cyWiw3cSOI

"Away in a Manger"

Away in a manager is always the first carol that children are taught. Away in a Manger was originally published in 1885. The publication of Away in a Manger was in a Lutheran Sunday school book and this created the misconception that the lyrics of Away in a Manger were actually written by Martin Luther himself. The author is unknown. The music to Away in a Manger was composed by William J. Kirkpatrick in 1895.

Click here to see the various versions available:
www.youtube.com/results?search_query=away+in+a+manger&search_type=&aq=f

Click here to hear celtic arrangement:
www.youtube.com/watch?v=wOJb6uOF05Q



"Silent Night"
("Stille Nacht") is a popular Christmas carol. The original lyrics of the song Stille Nacht were written in German by the Austrian priest Father Josef Mohr and the melody was composed by the Austrian headmaster Franz Xaver Gruber. In 1863, John Freeman Young translated the song into the English version sung today. The version of the melody that is generally sung today differs slightly (particularly in the final strain) from Gruber's original. Today, the lyrics and melody are in the public domain.
The carol was first performed in the Nicola-Kirche (Church of St. Nicholas) in Oberndorf, Austria on December 24, 1818. Mohr had composed the words much earlier, in 1816, but on Christmas Eve brought them to Gruber and asked him to compose a melody and guitar accompaniment for the church service.
In his written account regarding the composition of the carol, Gruber gives no mention of the specific inspiration for creating the song. According to the song's history provided by Austria's Silent Night Society, one supposition is that the church organ was no longer working so that Mohr and Gruber therefore created a song for accompaniment by guitar. Silent Night historian, Renate Ebeling-Winkler says that the first mention of a broken organ was in a book published in the U.S. in 1909.

Click here for the various arrangements of the carol:
www.youtube.com/results?search_query=silent+night+&search_type=&aq=f

"Ring the Bells"

Click here to listen to the song by Travis Cottrell:
www.google.com/search?sourceid=navclient&ie=UTF-8&rlz=1T4RNTN_enUS328US328&q=ring+the+bells

CONTEMPORARY 11:00AM

"O Come, O Come Emmanuel"

O come, O come, Emmanuel is a translation of the Christian Latin text ("Veni, veni, Emmanuel") by John Mason Neale in the mid-19th century. It is a metrical version of a collation of various Advent Antiphons (the acrostic O Antiphons), which now serves as a popular Advent and Christmas hymn. Its origins are unclear, it is thought that the antiphons are from at least the 8th Century, but "Veni, veni Emmanuel" may well be 12th Century in origin. The text is based on the biblical prophesy from Isaiah 7:14 that states that God will give Israel a sign that will be called Immanuel (Lit.: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.

Click here to listen to the carol:
www.youtube.com/watch?v=EBfPnUZh-Bc

Click here for Whitney Houstons' version:
www.youtube.com/watch?v=NactFcZeeUE&feature=related

Click here for a carol arrangement and dance: www.youtube.com/watch?v=CrJAilZYoR4&feature=related

“How can I keep from Singing”

There is an endless song echoes in my soulI hear the music ring and though the storms may comeI am holding on to the rock I clingHow can I keep from singing Your praiseHow can I ever say enoughHow amazing is Your loveHow can I keep from shouting Your nameI know I am loved by the KingAnd it makes my heart want to sing Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.

Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo

Click here to worship along with Chris:
www.youtube.com/watch?v=tQI5wxtH6OY&feature=related

"We Three Kings"

Written by Rev. John Henry Hopkins (1820-1891) in 1857, he wrote both the music and lyrics of this carol. In 1863 the said Christmas carol was published in Rev. Hopkins' Carols, Hymns and Song. "We Three Kings" was written for the General Theological Seminary in New York during their Christmas pageant. Interesting Fact: Aside from being a writer and editor, Hopkins was also a stained glass artist and book illustrator.

We three kings of Orient are Bearing gifts we traverse afar

Field and fountain, moor and mountain
Following yonder star O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to thy Perfect Light

Click here for an arrangement:
www.youtube.com/watch?v=pHf1p3C8iVw

Click here for another arrangement:
www.youtube.com/watch?v=bDe3zcTejjQ

"The First Noel"

The word Nowell comes from the French word Noël meaning "Christmas", from the Latin word natalis ("birth"). It may also be from the Gaulish words "noio" or "neu" meaning "new" and "helle" meaning "light" referring to the winter solstice when sunlight begins overtaking darkness.


Click here to read more about the song:
http://en.wikipedia.org/wiki/The_First_No%C3%ABl#Animaniacs_parody

Click here to hear Helmut Lotti sing the song:
www.youtube.com/watch?v=We4xRHMuCNg&feature=related**

Click here for an interesting arrangement - one person, two guitars:
www.youtube.com/watch?v=6cyWiw3cSOI

Behind the Praise - Sunday December 6, 2009

BLENDED 9:30AM

"O Come, O Come Emmanuel"

O come, O come, Emmanuel is a translation of the Christian Latin text ("Veni, veni, Emmanuel") by John Mason Neale in the mid-19th century. It is a metrical version of a collation of various Advent Antiphons (the acrostic O Antiphons), which now serves as a popular Advent and Christmas hymn. Its origins are unclear, it is thought that the antiphons are from at least the 8th Century, but "Veni, veni Emmanuel" may well be 12th Century in origin. The text is based on the biblical prophesy from Isaiah 7:14 that states that God will give Israel a sign that will be called Immanuel (Lit.: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.

Click here to listen to the carol:
www.youtube.com/watch?v=EBfPnUZh-Bc

Click here for Whitney Houstons' version:
www.youtube.com/watch?v=NactFcZeeUE&feature=related

Click here for a carol arrangement and dance: www.youtube.com/watch?v=CrJAilZYoR4&feature=related

"Come Thou Long Expected Jesus"

Charles Wesley wrote seventy-five hundred hymns (Encyclopedia Britannica) -- roughly a hymn every other day for fifty years. I find that amazing! It would be amazing if he had written one verse every other day, but most of his hymns have several verses. I can scarcely imagine how he managed to do anything else -- but he was a great preacher as well as a great writer of hymns.
The hymn, "Come, Thou Long-Expected Jesus," looks forward to Jesus' Second Coming. It begins, "Come, thou long expected Jesus, born to set thy people free." Wesley looked forward to the time when Jesus would come again to set us free from fear and sin.
Wesley knew what it meant for people not to be free. When he was about thirty years old, he traveled to America on a mission, where he saw slavery in its rawest form. He recorded in his journal that he had seen parents give their child a slave to torment. Wesley was so shaken by the evil of slavery that he nearly had a nervous breakdown. It wasn't long before he returned to England.
Some would criticize Wesley for not remaining in America to join the fight against slavery, but Wesley's weapons were his sermons and his hymns. For the next several decades, his sermons and hymns lent their power to the efforts to make people free -- free from slavery -- free from fear -- free from sin. He was blessed to live long enough to see England put an end to slavery.


Click here for a piano arrangement:
www.youtube.com/watch?v=sg8OJf40LJE

Click here for another arrangement:
www.youtube.com/watch?v=iUbCbT4Yuog

"O Sing a Song of Bethlehem"

The lyrics were written by Louis F. Benson and the music was arranged by Ralph Vaughan Williams. This hymn chronicles the life of Christ.

Click here for an organ arrangement:
www.youtube.com/watch?v=U5SNqYgrTZs

"O Come All Ye Faithful"

Also known in Latin as "Adeste Fidelis", this Christmas carol is credited to an English hymnist named John Francis Wade (1711-1786). Written originally in Latin, 'O Come All Ye Faithful', it was penned as a hymn by an Englishman called John Wade. In Latin, it is known as 'Adeste Fideles'. Another Englishman called John Reading composed its music in early 1700s, which was first published in 'Cantus Diversi' in 1751. Rev. Frederick Oakley translated it to English in 1841.

Click here to read more about the history of the song:
http://en.wikipedia.org/wiki/Adeste_Fideles

Click here to listen to Bianca Ryan sing the song:
www.youtube.com/watch?v=7I8XAf4Rwa4

Click here to hear a traditional setting:
www.youtube.com/watch?v=_ZKp4npV47Q&feature=related

Click here for the various recordings of this Carol:
www.youtube.com/results?search_query=o+come+all+ye+faithful&search_type=&aq=f

CONTEMPORARY 11:00AM

"Blessed Be Your Name"

This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this "So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"

Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3

Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI

Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=

"O Come All Ye Faithful"

Also known in Latin as "Adeste Fidelis", this Christmas carol is credited to an English hymnist named John Francis Wade (1711-1786). Written originally in Latin, 'O Come All Ye Faithful', it was penned as a hymn by an Englishman called John Wade. In Latin, it is known as 'Adeste Fideles'. Another Englishman called John Reading composed its music in early 1700s, which was first published in 'Cantus Diversi' in 1751. Rev. Frederick Oakley translated it to English in 1841.

Click here to read more about the history of the song:
http://en.wikipedia.org/wiki/Adeste_Fideles

Click here to listen to Bianca Ryan sing the song:
www.youtube.com/watch?v=7I8XAf4Rwa4

Click here to hear a traditional setting:
www.youtube.com/watch?v=_ZKp4npV47Q&feature=related

Click here for the various recordings of this Carol:
www.youtube.com/results?search_query=o+come+all+ye+faithful&search_type=&aq=f

"Beautiful"

This song was written by Phil Wickham. In a world where swagger usually triumphs over substance, it’s refreshing when a young singer/songwriter arrives on the scene with something to say. With the multi-faceted sound of a much older soul and shimmering melodies that match the intensity of his heartfelt lyrics, 21-year-old Phil Wickham’s self-titled debut can’t help but stand out in a crowd of cookie-cutter pop and angst-fueled rock. And it’s his personal journey of faith expressed in the songs that really makes the difference.Even though singer/songwriter Phil Wickham grew up in a devout Christian home, there came a point early in his life when he knew his faith needed to become his own. He no longer wanted to coast on his parents’ coattails or go to church simply because that’s what he was supposed to do. He wanted something real, that personal friendship with Jesus. And that crucial realization, combined with moving to a new city while he was in junior high, paved the way for Phil to pick up a guitar and start writing songs about his growing faith.

Click here to worship along with Phil:
www.youtube.com/watch?v=Zg4cYdP1ngw

“Here I Am to Worship”

If songs are like children to their writers, then 25 year-old Englishman Tim Hughes carried "Here I Am To Worship" to full term, letting the reverent tune take perfect shape over a nine-month period. Back in 1999 while still in college, he first sat down to craft a musical response to his reading of Philippians 2:5, which says, "Make your own attitude that of Christ Jesus." And from the start, he had the humility part mastered. "I was playing around with my guitar when the verse just came out," he modestly recalls. "However, I couldn't get a chorus that I was happy with. The original one was embarrassingly bad!" Thankfully, Tim recorded the verse into his Dictaphone, and months later during a quiet creative time, he patched it together with another strong melody idea and brought "Here I Am To Worship" to fruition. "I'd been reading about the cross and thinking through Jesus' amazing sacrifice," Tim says of the lyrical theme. "Sometimes when God meets with us we don't quite know how to respond properly. It's often too much for us to take in. Hopefully in a small way the chorus captures that: 'Here I am to worship. Here I am to bow down. Here I am to say that you're my God. You're altogether lovely, worthy, wonderful.'" Although the song had been completed, the writer was still not convinced of its potential. Leading worship at his Soul Survivor home church one day, Tim sang "Here I Am To Worship" for his fellow members and was duly advised by his pastor Mike Pilavachi to start using it more often. Since then, Hughes - who built his own chops leading Delirious and Matt Redman favorites - has seen the song take on a life of its own. It must be a God thing.... People have seemed to really connect with it, and we've had some special times in worship using the song," he admits. "I remember one time at the end of a Worship Together conference in San Diego when we'd been performing the song. The band stopped, and then the congregation just kept singing the chorus for about 15 minutes."

Click here to listen to the story behind the song by Tim Hughes.
www.theheartofworship.org/stories/Story-196-HereIAmtoWorship-Hughes.mp3

Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=Q_kAjok4-Uk

Click here to read more about the composer Tim Hughes
www.crosswalk.com/spirituallife/worship/1227531/

THIRD SERVICE 6PM

“How can I keep from Singing”

There is an endless song echoes in my soul
I hear the music ring and though the storms may come
I am holding on to the rock I cling
How can I keep from singing Your praise
How can I ever say enoughHow amazing is Your love
How can I keep from shouting Your name
I know I am loved by the King
And it makes my heart want to sing

Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.

Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo

Click here to worship along with Chris:
www.youtube.com/watch?v=tQI5wxtH6OY&feature=related

"Blessed Be Your Name"

This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this
"So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"

Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3

Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI

Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=

"Facedown"

Matt Redman shared the following on the writing of the song:

When you face up to God you'll find yourself face down. The real point it's not God that does the shrinking it's us that starts to shrink. Facedown is our response to an awesome God.

Welcomed in to the courts of the King
I've been ushered in to Your presence
Lord, I stand on Your merciful ground
Yet with every step tread with reverence
And I'll fall facedownAs Your glory shines around
Yes, I'll fall facedownAs Your glory shines around
Who is there in the heavens like You?
And upon the earth, who's Your equal?
You are far above, You're the highest of heights
We are bowing down to exalt You
So let Your glory shine around
Let Your glory shine around
King of glory, here be found
King of glory

Click here to hear the story behind the song:
www.theheartofworship.org/stories/Story-278-Facedown-Redman.mp3

Click here to worship along with Matt Redman:
www.youtube.com/watch?v=mpaOWcCJn74

"O Come, O Come Emmanuel"

O come, O come, Emmanuel is a translation of the Christian Latin text ("Veni, veni, Emmanuel") by John Mason Neale in the mid-19th century. It is a metrical version of a collation of various Advent Antiphons (the acrostic O Antiphons), which now serves as a popular Advent and Christmas hymn. Its origins are unclear, it is thought that the antiphons are from at least the 8th Century, but "Veni, veni Emmanuel" may well be 12th Century in origin. The text is based on the biblical prophesy from Isaiah 7:14 that states that God will give Israel a sign that will be called Immanuel (Lit.: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.

Click here to listen to the carol:
www.youtube.com/watch?v=EBfPnUZh-Bc

Click here for Whitney Houstons' version:
www.youtube.com/watch?v=NactFcZeeUE&feature=related

Click here for a carol arrangement and dance: www.youtube.com/watch?v=CrJAilZYoR4&feature=related

"Still"

… the challenge of the Church is to keep worship accessible to all people - Rueben Morgan

Rueben wrote the song "Still" as a reminder to "be still and know that I am God". Reuben has a passion to see the church and the world inspired to worship God. A worship pastor on the Hillsong church leadership team, Reuben works alongside Darlene Zschech to create an atmosphere of praise and worship that draws people into God’s presence and helps soften hearts to Jesus’ salvation message. Reuben is an integral leader of the Hillsong church worship team, teaching often at the Worship and Creative Arts program. Leading worship on a weekly basis at
Hillsong church, Reuben was the youth Music Pastor who helped to establish ‘Hillsong United’- currently one of the most sought after youth praise and worship bands having appeared at Creation, Edmonton and Soul Survivor in 2003. He was one of the major producers on four of the United albums including Everyday, Best Friend, King Of Majesty and To The Ends Of The Earth. With a congregation of over 15,000 people, Hillsong Church in Sydney, Australia is potentially the nations largest local church with a TV program that reaches over 125 different
countries across the globe. Hillsong has been instrumental in

Click here to worship along with the Hillsong version
www.youtube.com/watch?v=Qk8horRi3_E

Click here for another arrangement:
www.youtube.com/watch?v=FPtZRnQyzSM

Behind the Praise - Sunday November 29, 2009

BLENDED SERVICE 9:30AM

“Open Our Eyes, Lord”

Robert Cull (born 1949), a pastor with a traveling music ministry, wrote this text and tune in Hawaii during the summer of 1975, in order to reach some “close-hearted people.” After a half hour in prayer, he says, the song “fell into my head.” It has been translated and recorded in dozens of languages.

Click here to listen to the song:
www.youtube.com/watch?v=4XJu0mnn_b4

Click here to an instrumental arrangement:
www.youtube.com/watch?v=7mudAEAPuLk&feature=related


"Higher Ground"

The hymn "Higher Ground" has a secure place in the American hymnology. The scripture reference is found in Philippians 3:14 of The Bible's New Testament: "I press on towards the goal to win the prize for which God has called me heavenwards in Christ Jesus." (NIV) According to J. H. Hall, Biographies of Gospel Song and Hymn Writers, "Nothing can bring forth more shouts at a camp meeting of "Glory," "Hallelujah," than the singing of "Higher Ground."

Hymn Writer Johnson Oatman, Jr.

American hymn writer Johnson Oatman, Jr. was born near Medford, New Jersey, on April 21, 1856. He became a member of the Methodist Episcopal Church when he was 19 years of age. Although he never pastored a church, he was licensed to preach and was ordained by his denomination. Early on in life, he was involved in the family's mercantile business, but when his father died, he entered the insurance business.
In 1892, he was 36 years old, he started writing gospel songs, and, from then until his death in 1922, he wrote about 3,000 gospel hymn texts. Reportedly, he generally averaged 4 to 5 new texts each week, all through his life from this period. Notably, he received no more than a dollar for each of his songs. His texts were always in great demand by the leading gospel musicians of his day, including Charles Gabriel, William James Kirkpatrick and Edwin Excell.

Composer Charles H. Gabriel

American composer Charles Hutchinson Gabriel was born on August 18, 1856, in Wilton, Iowa. Gabriel is generally considered to be the most popular and influential gospel song writer during the Billy Sunday – Homer Rodeheaver evangelistic crusade, in 1910-1920. In his association with the Rodeheaver Publishing Company as music editor, Gabriel continued his prolific musical output until his death on September 15, 1932, in Los Angeles, California.
Gabriel wrote more than an estimated 8,000 gospel songs including the editing of numerous compilations and hymnals. He also authored both the text and music of his many songs. Sometimes, he used a pseudonym, 'Charlotte G. Homer,' in his texts.

Read more: http://christianmusic.suite101.com/article.cfm/notes_on_higher_ground_hymn#ixzz0Xi74M5Pa

Click here for an arrangement of the hymn:
www.youtube.com/watch?v=VKgUyjeKMLk

Click here for a gospel arrangement:
www.youtube.com/watch?v=hD9KAz7xdjQ

“How can I keep from Singing”

There is an endless song echoes in my soul
I hear the music ring and though the storms may come
I am holding on to the rock I cling

How can I keep from singing Your praise
How can I ever say enoughHow amazing is Your love
How can I keep from shouting Your nameI know I am loved by the King
And it makes my heart want to sing

Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.

Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo


CONTEMPORARY WORSHIP 11:00AM

"You are Good"

Nearly Disposed - Israels' Testimony

My mother became pregnant at the age of 17 in Waterloo, Iowa. You can imagine how this is shaping up. She was given the choice of a back-alley abortion or being disowned by her family. Thank God she chose the latter. Ultimately, she was disowned, abandoned by my biological father, and ended up in San Diego, California. Picture this. It was 1971 and my mother was 8 months pregnant, all alone, thousands of miles from home, and forced to enter reality unprepared. Pretty bleak. One day while walking down the street, a lady pulled up in her Volkswagen Bug, got out, and respectfully yet boldly, began to share the Gospel with her. Words of life and hope began to overtake the words of rejection and abandonment she had grown accustomed to. There on a street corner, she ended up on her knees and cried out to God-committing her life to Jesus Christ. The lady gave her a bible and that's how I got my name. My mother started reading at page one and well, you know-you have a bible, my name's on every page!
I'm often asked by skeptics or the stoic, why I'm as passionate about worshiping God as I am. The answer is simple for me. In this age of disposable relationships, I could have easily become a statistic and at best, a distant memory of a youthful mistake. Instead, a Sovereign God rescued my mother and me and gave us hope, a future, and a testimony of the providence of God. The very least I can do is enter into His gates with fresh thanksgiving, His courts with a passionate praise, and eventually bow before His throne in intimate worship. As far as leading worship goes (which is my passion and calling), I now realize that there have been demands put on me from every part of my experience since day one - culturally, emotionally, musically, and more. So things tend to sound cross-cultural, cross- denominational, and cross-generational. I like to call it, "The Sound of New Breed Worship." I tend to lead from an internal platform founded in Psalm 124:2, "If it had not been for the Lord who was on my side"....where in the world would I be? In an age of disposable relationships, maybe we should be asking ourselves that question a lot more often. I am confident that we would worship with far more conviction, intensity, and overwhelmed gratitude if we did. It is my delight to encourage you today.
Israel

Israel leads a worship band called "New Breed" here's their website, you can listen to portions of the songs they sing including "You are Good"
www.newbreedmusic.com/

Click here to learn more about Israel
http://en.wikipedia.org/wiki/Israel_Houghton

Click here to worship along with Israel:
www.youtube.com/watch?v=KAGZ8HmiWCM

Click here to see Israel singing "You are Good" in concert:
www.youtube.com/watch?v=fCpy1Bg255A&feature=related

"We Delight"

This worship song was written by Joshua Moore, keyboard player for the group Caedman's call.The band's unusual name was inspired by Cædmon, an Anglo-Saxon cowherd who lived during the 7th century. Legend has it that Caedmon was afraid to sing in public due to a lack of musical talent, and shied away from occasions where he had to sing. After leaving a feast one night because he was too embarrassed to sing, he lay down in the pasture with the cattle to sleep. An angel appeared to him in a dream, calling him to sing. After refusing, he eventually decided to sing and when he did, he sang beautiful verses that had never been heard before, based on the story of creation and using the style of pre-Christian, Anglo-Saxon poetry. Many songwriters tried in vain to write songs as good as or better than Caedmon's, but could not because Caedmon's songs came from God. Founding band members Cliff, Danielle, and Aaron decided on the name "Caedmon's Call" after all three heard this story during the same week and thought it was fitting.

Click here to listen online:
http://www.last.fm/music/Caedmon

Click here to worship along:
www.youtube.com/watch?v=yEtYb_XDqjY

“Remedy"

This song is by David Crowder. As you might guess from the title and the medical cross on the cover, Remedy focuses on God's constant presence as the answer to our hurts while challenging listeners to be the balm needed in the lives of others. Indeed, the Texas band's 2007club tour is part worship experience, part rallying cry to inspire change in local communities. At the same time, one could view this album as the band's personal healing in response to the tragic death of their friend and pastor Kyle Lake shortly after the release of A Collision.
Here is Davids' answer to what is worship? This is actually a really difficult question because language is such a fluid thing. A word like “worship” changes and evolves and provokes different meanings for different community sets. Over the last few decades, at least within Christian culture, the word has become synonymous with “music within a congregational context.” You say the word “worship” and a person immediately pictures in his head people singing in a room with lyrics projected on a screen. Words and the objects they signify are very difficult to separate. I’ll show you what I mean. Okay, in your head, say the word, “eight”—and try to not picture the number eight. It’s nearly impossible. So, once a word begins to signify something, it is hard to separate it from the thing it is signifying. For me, I tend to not trust moments of congregational singing as an indicator of where our true affections lie. It is a very simple thing to get caught up in the beauty of music and song erupting in a room full of people. So I rarely trust that moment. I think a better indicator of worship may be the way we interact with the world around us.

Click here to watch the David Crowder band on tour:
www.youtube.com/profile?user=davidcrowderband

Click here to learn more about The David Crowder band:
www.davidcrowderband.com/

Click here to visit Davids' myspace:
www.myspace.com/davidcrowderband

Click here to worship along with a powerful video:
www.youtube.com/watch?v=O3UWiJCZAz8

Click here for a live performance:
www.youtube.com/watch?v=zGIth9d_LXE&feature=related

Here we are Here we are The broken and used Mistreated,
abused Here we are Here You are Here You are
The beautiful one Who came like a Son Here You are
So we lift up our voices We open our hands
To cling to the love That we can’t comprehend

“To the Ends of the Earth”

Marty Sampson (b. May 31, 1979) is a Christian songwriter and a worship leader at the Hillsong Church in Sydney, Australia. Originally featuring in the Youth Alive albums of the late 1990s, he was one of original Hillsong United worship leaders and has led worship on every United album to date. He plays guitar and occasionally piano. He was married in November of 2006 to Michelle. Sampson was a former worship leader for Hillsong United together with Joel Houston (son of pastor Brian Houston). His last album with United in the 2007 United album All of the Above, could be his last album with Houston and the Hillsong United team. Since his marriage with Michelle, Sampson has moved from Hillsong United to the Hillsong band and helps lead worship with Darlene Zschech and the rest of the team. He is now one of the main worship leaders in Hillsong Church along with Zschech and Reuben Morgan. Sampson recently released a solo album entitled "Let Love Rule"

Love unfailing
Overtaking my heart
You take me in Finding peace again
Fear is lost in all You are And I would give the world to tell Your story
Cause I know that You've called me I know that You've called me
I've lost myself for good within Your promise I won't hide it I won't hide it

Click here to visit Marty Sampsons’ myspace:
www.myspace.com/martysampsonmusic

Click here to learn more about Martys’ ministry:
http://martysampson.net/

Click here to worship along:
www.youtube.com/watch?v=K0G5azgrTUo

THIRD SERVICE 6:00PM

"Sing to the King"

This song was written by Billy James Foote. The song is based upon the hymn by Charles S. Horne. Here are the original words penned in 1910. Notice the similarity between the Horne's words and Billy's adaptation of the song.

Sing we the King Who is coming to reign,
Glory to Jesus, the Lamb that was slain.
Life and salvation His empire shall bring,
Joy to the nations when Jesus is King.

Come let us sing, praise to our King,
Jesus our King, Jesus our King,
This is our song, who to Jesus belong:
Glory to Jesus, to Jesus our King.

In the summer of 2001, I was sitting in my office, in Evergreen, CO, reading through a Baptist Hymnal when I came across an old hymn called Sing We the King, written by Charles Silvester Horne. As I read the first verse I was amazed by the lyrics. There was not a wasted word. I had been working on a melody for several weeks, but did not have any lyrics. Horne’s first verse was a perfect match to the melody I had written. It did not take long to come up with a chorus. The second verse takes two phrases from Horne's last verse including, "satan is vanquished and Jesus is King". Of course, I have documented this on both of my worship projects and try to make sure everyone who records Sing to the King does the same.

My prayer is that this song will remind the church that the King really is coming back. It seems as though we have left this fact out of worship songs for too long. It is encouraging to be reminded that the enemy does not win (Rev. 20:10). We have a hope in the knowledge that the King is going to one day split the sky and the dead in Christ will rise, and believers, who are alive, will be caught up in the clouds to meet Him. I also pray this song will give the church a sense of urgency to win the lost; as Fanny Crosby said, to "rescue the perishing, care for the dying." We must not be idle, but live as those who know the King and know He is coming to reign.

Learn more about Billy's ministry on his myspace website & ministry website:
www.myspace.com/billyfooteband

Learn more about Billy's ministry here:
www.billyfoote.com/

Click here to listen to the Passion version: http://de.tunesbag.com/music/Candi+Pearson+Shelton/638024-the-best-of-passion-so-far-disc-2/7188463-sing-to-the-king.html

“Who Can Satisfy”

Dennis Jernigan is a singer-songwriter of contemporary Christian music. He is native to Oklahoma, and headquarters a music-based ministry from there. Formerly a homosexual, Jernigan now lives in Muskogee, Oklahoma with his wife of nearly 24 years and their nine children.
A primary source of inspiration for Jernigan's message and music is an experience he describes as his "deliverance from homosexuality", which he states to have begun during a 2nd Chapter of Acts concert in 1981 at Oklahoma Baptist University. Jernigan has stated that he believes his prior identification as homosexual was related to a childhood perception that he had been rejected by his father. He claims that both perceptions were erroneous:
As a boy I needed a role model to show me the way to manhood. But because I felt rejected by the main man in my life I, in turn, rejected him and began to yearn for intimacy with a man in perverse ways. Because of this wrong thinking I came to believe I was homosexual. It must have begun early in my life because I remember having those feelings for the same gender at a very early age.
It was then [during a critical moment at the 2nd Chapter of Acts concert] that I lost the need to be accepted or loved by others because I realized Jesus would love me and accept me no matter what, even when I was rejected by others! It was also at this same time that those sexually perverse thoughts and desires were changed...and He began to replace them with holy and pure thoughts about what sexual love was all about.
You may know the music of Dennis Jernigan rather than the mention of his name. Songs like: "You Are My All in All", "Great is the Lord Almighty", and "Nobody Fills My Heart Like Jesus", as well as hundreds of others are sung literally all over the world. Dennis believes worship is all about relationship rather than performance...and he believes he is called to help people get honest with themselves and with God simply because he has found in his own life that honesty and truth have set him free. He has an incredible testimony that he shares very openly with his audiences.

To read more about Dennis visit his website at
http://www.dennisjernigan.com/.

Dennis and his wife Melinda, along with eight of their nine children make their home in Muskogee, Oklahoma where they serve Christ through the local body of believers known as New Community Church.

Click here to listen to the song “Who Can Satisfy” by the Lee University Singers:
www.youtube.com/watch?v=UNMw73XAtaA&feature=related

Click here to hear the Hebraic Christian worship team:
www.youtube.com/watch?v=bUGjaCtxwKQ&feature=related

Click here to listen to Dennis share about his favorite scripture: www.revver.com/video/516239/dennis-jernigan-shares-about-his-favorite-bible-verses/

“When it’s All been said and done”

This song was written by Jim Cowan was born on Sept. 26, 1952 in Gunnison, Co. Growing up in Colorado he was very involved in sports. He participated in competitive ski racing, baseball, golf, tennis, soccer, swimming, and many outdoor activities. His Dad was a recreation director for the city, and his Mom taught music in the Elementary school. Jim’s early music training included piano lessons from his mother, and voice lessons from a retired voice teacher and friend of the family. After high school, Jim studied music at Western State College in Gunnison, and at Emporia State Teacher’s College in Emporia, Kansas. His training included classical voice, piano, theory and harmony of music, and general studies. It was while he was at Emporia State that Jim experienced a spiritual conversion, and began to seek God’s direction in his life. He withdrew from school and went to the Benedictine Monastery in Pecos, New Mexico. It was there that he converted to Catholicism, and began to write songs for liturgy and worship.

Click here to listen to an inspiration thought on the song:
www.youtube.com/watch?v=pc5SdTV6rYk

Click here to read more about Jim Cowans’ ministry:
http://www.jimcowan.com/

“You never let Go"

This powerful new song by Matt Redman has been described as follows from Christianity Today:"You Never Let Go" begins with a quiet piano and moody atmospherics that mirror far-from-ebullient lyrics based on Psalm 23: Even though I walk through the valley of the shadow of death/You're perfect love is casting out fear/And even when I'm caught in the middle of the storms of this life/I won't turn back, I know you are near…The chorus is a loud, exultant proclamation that God will never let go of us and in it Redman uses the minor-key construction to subtly (and maturely) declare that God's love is still valid, even in the midst of pain.

Click here to listen watch the video
www.youtube.com/watch?v=SIAdgLR1ZGw

Click here to read more about Matt Redman on his myspace - you can play the song directly from his stand-alone player and can buy the song from his website
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=120781688

Even though I walk through the valley of the shadow of death
Your perfect love is casting out fear
And even when I’m caughtin the middle of the storms of this life
I won’t turn back I know You are near
And I will fear no evil For my God is with me
And if my God is with me

Whom then shall I fear? Whom then shall I fear?
Oh no, You never let goThrough the calm and through the storm
Oh no, You never let go In every high and every low
Oh no, You never let go Lord, You never let go of me

“Nothing but the Blood"

Paul, under the inspiration of the Holy Spirit, would write these words, "Whom God hath set forth to be a propitiation through faith in his blood, to declare his righteousness for the remission of sins that are past, through the forbearance of God." (Romans 3:25) The emphasis of this verse is on the shed blood that satisfies or propitiates our sin debt. Another way of saying the same thing is, "What can wash away our sin? Nothing but the blood of Jesus." More than likely it was this verse or one like it, dealing with the subject of blood, which caused Pastor Robert Lowry to write a hymn.
Born in Philadelphia, on March 12, 1826, young Robert accepted Christ as his personal Savior at the age of 17 and later graduated from Bucknell University with high scholastic honors. In the 73 years of his life here on earth, he pastored churches in Philadelphia, New Jersey, New York City and Brooklyn. Along with his preaching, Dr. Lowry also had the gift of music in the writing of hymns. When asked about his method for writing songs, he would answer by saying:
I have no set method. Sometimes, the music comes and the words follow…. I watch my moods, and when anything strikes me, whether words or music, no matter where I am, at home or on the street, I jot it down…. My brain is sort of a spinning machine, for there is music running through it all the time. The tunes of nearly all the hymns I have written have been completed on paper, before I tried them on the organ. Frequently, the words of the hymn and the music have been written at the same time.
He supplied the music for such familiar hymns as We’re Marching to Zion, Savior, Thy Dying Love, Where Is my Wandering Boy Tonight, I Need Thee Every Hour and Fanny Crosby’s song, All the Way my Savior Leads Me. The words and music would come together in 1864 to produce Shall We Gather at the River. Then, in the Easter season of 1874, Christ Arose would flow from his pen and his heart. Finally, in 1876, Pastor Lowry would give us the answer to our sin debt in his song, Nothing but the Blood.
Down through the ages, man has tried to work off his sin debt in good works and religion—only to fail. The Bible says, "Without the shedding of blood, there is no forgiveness." (Hebrews 9:22) Robert Lowry understood this very well:
Oh! Precious is the flow
That makes me white as snow
No other fount I know,
Nothing but the blood of Jesus.

Click here to sing along with the song:
www.youtube.com/watch?v=pxDHamIhF7o

Click here for an organ arrangement:
www.youtube.com/watch?v=QvNNFPBkEsw

"The Glory of it All"

When David Crowder was attending Baylor University in Waco, Texas in the mid 1990's, he learned that more than half of the 14,000 students enrolled in the college were not attending church. This was very disturbing to Crowder, and after many conversations with a friend of his, they decided to start a church that was college friendly. Thus, University Baptist Church was born. That was 1996. Today, almost a decade later, nearly 1,000 people, most of which are college students, are attending the church.
When David first started writing music, he mainly focused on lyrics that discussed the difficult things he was going through. At that time there were not many congregational worship songs that did that so he struck a chord with many people. Today, David says that he writes many of his songs while riding in the car in the country with his wife. Even though his audience has changed, though, David always writes his songs with his University Baptist Church congregation in mind. Although the David Crowder Band is comprised of six different individuals, they have all committed themselves to work together in an effort to give hope to those who have left the church, as well as those who have come back. They feel very blessed by the work God has done in their lives and look forward to what He has planned for them in the future.

Click here to listen to the song:
www.youtube.com/watch?v=Zg-1yM6insA

Behind the Praise - Sunday November 22, 2009

BLENDED 9:30AM

"Sing to the King"

This song was written by Billy James Foote. The song is based upon the hymn by Charles S. Horne. Here are the original words penned in 1910. Notice the similarity between the Horne's words and Billy's adaptation of the song.

Sing we the King Who is coming to reign,
Glory to Jesus, the Lamb that was slain.
Life and salvation His empire shall bring,
Joy to the nations when Jesus is King.

Come let us sing, praise to our King,
Jesus our King, Jesus our King,
This is our song, who to Jesus belong:
Glory to Jesus, to Jesus our King.

In the summer of 2001, I was sitting in my office, in Evergreen, CO, reading through a Baptist Hymnal when I came across an old hymn called Sing We the King, written by Charles Silvester Horne. As I read the first verse I was amazed by the lyrics. There was not a wasted word. I had been working on a melody for several weeks, but did not have any lyrics. Horne’s first verse was a perfect match to the melody I had written. It did not take long to come up with a chorus. The second verse takes two phrases from Horne's last verse including, "satan is vanquished and Jesus is King". Of course, I have documented this on both of my worship projects and try to make sure everyone who records Sing to the King does the same.

My prayer is that this song will remind the church that the King really is coming back. It seems as though we have left this fact out of worship songs for too long. It is encouraging to be reminded that the enemy does not win (Rev. 20:10). We have a hope in the knowledge that the King is going to one day split the sky and the dead in Christ will rise, and believers, who are alive, will be caught up in the clouds to meet Him. I also pray this song will give the church a sense of urgency to win the lost; as Fanny Crosby said, to "rescue the perishing, care for the dying." We must not be idle, but live as those who know the King and know He is coming to reign.

Learn more about Billy's ministry on his myspace website & ministry website:
www.myspace.com/billyfooteband

Learn more about Billy's ministry here:
www.billyfoote.com/

Click here to listen to the Passion version:
http://de.tunesbag.com/music/Candi+Pearson+Shelton/638024-the-best-of-passion-so-far-disc-2/7188463-sing-to-the-king.html

"For the Beauty of the Earth"

Folliot Sanford Pierpoint (1835-1917) was 29 years old when he returned to the city of his birth, Bath, England. The beauty of the countryside in the late spring inspired him to write the words to the hymn, “For the Beauty of the Earth.” Pierpoint included thanks for God’s creation, social blessings, and also thanked God for his spiritual blessings. This hymn was originally written for the communion service. Each stanza concluded with the words, Christ our God, to thee we raise this our sacrifice of praise, alluding to Hebrews 13:15.

For the beauty of the earth For the glory of the skies,
For the love which from our birth Over and around us lies.
Lord of all, to Thee we raise, This our hymn of grateful praise.
For the beauty of each hour, Of the day and of the night,
Hill and vale, and tree and flower, Sun and moon, and stars of light.
Lord of all, to Thee we raise, This our hymn of grateful praise.
For the joy of ear and eye, For the heart and mind’s delight,
For the mystic harmony Linking sense to sound and sight.

Click here for a hymn arrangement:
www.youtube.com/watch?v=xGI2mu_9EB8

"We Gather Together"

This hymn was originally transformed into a hymn from a folksong began on about January 1, 1597. That was the date of the Battle of Turnhout, in which Prince Maurice of Orange defeated the Spanish occupiers of a town in what is now the Netherlands. It appears likely that Dutch Protestants--who were forbidden from practicing their religion under the Catholic King Philip II of Spain--celebrated the victory by borrowing the familiar folk melody and giving it new words. Hence "Wilt heden nu treden" or, loosely translated, "We gather together"--a phrase that itself connoted a heretofore forbidden act: Dutch Protestants joining together in worship. Its first appearance in print was in a 1626 collection of Dutch patriotic songs, "Nederlandtsch Gedencklanck."

Click here to read more:
www.opinionjournal.com/la/?id=110007583

Click here to listen to the song:
www.youtube.com/watch?v=RFWH_RAQ3og

Click here for a celtic arrangement:
www.youtube.com/watch?v=Y0JVqR8KnF4&feature=related

“Forever”
This worship song is based upon the passage in Psalm 136 “His love endures forever”. It took four years for Chris to finally finish the song after working on the song off and on.

Click here to listen to Chris tell about how he wrote the song:www.theheartofworship.org/stories/Story-263-Forever-Tomlin.mp3

Click here to learn more about Chris Tomlin:
www.christomlin.com/

Click here to worship along with Chris Tomlin:
www.youtube.com/watch?v=X_dsZpcA2R8


CONTEMPORARY 11:00AM

"Sing to the King"

This song was written by Billy James Foote. The song is based upon the hymn by Charles S. Horne. Here are the original words penned in 1910. Notice the similarity between the Horne's words and Billy's adaptation of the song.

Sing we the King Who is coming to reign,
Glory to Jesus, the Lamb that was slain.
Life and salvation His empire shall bring,
Joy to the nations when Jesus is King.

Come let us sing, praise to our King,
Jesus our King, Jesus our King,
This is our song, who to Jesus belong:
Glory to Jesus, to Jesus our King.

In the summer of 2001, I was sitting in my office, in Evergreen, CO, reading through a Baptist Hymnal when I came across an old hymn called Sing We the King, written by Charles Silvester Horne. As I read the first verse I was amazed by the lyrics. There was not a wasted word. I had been working on a melody for several weeks, but did not have any lyrics. Horne’s first verse was a perfect match to the melody I had written. It did not take long to come up with a chorus. The second verse takes two phrases from Horne's last verse including, "satan is vanquished and Jesus is King". Of course, I have documented this on both of my worship projects and try to make sure everyone who records Sing to the King does the same.

My prayer is that this song will remind the church that the King really is coming back. It seems as though we have left this fact out of worship songs for too long. It is encouraging to be reminded that the enemy does not win (Rev. 20:10). We have a hope in the knowledge that the King is going to one day split the sky and the dead in Christ will rise, and believers, who are alive, will be caught up in the clouds to meet Him. I also pray this song will give the church a sense of urgency to win the lost; as Fanny Crosby said, to "rescue the perishing, care for the dying." We must not be idle, but live as those who know the King and know He is coming to reign.

Learn more about Billy's ministry on his myspace website & ministry website:
www.myspace.com/billyfooteband

Learn more about Billy's ministry here:
www.billyfoote.com/

Click here to listen to the Passion version: http://de.tunesbag.com/music/Candi+Pearson+Shelton/638024-the-best-of-passion-so-far-disc-2/7188463-sing-to-the-king.html

"We Delight"

This worship song was written by Joshua Moore, keyboard player for the group Caedman's call.The band's unusual name was inspired by Cædmon, an Anglo-Saxon cowherd who lived during the 7th century. Legend has it that Caedmon was afraid to sing in public due to a lack of musical talent, and shied away from occasions where he had to sing. After leaving a feast one night because he was too embarrassed to sing, he lay down in the pasture with the cattle to sleep. An angel appeared to him in a dream, calling him to sing. After refusing, he eventually decided to sing and when he did, he sang beautiful verses that had never been heard before, based on the story of creation and using the style of pre-Christian, Anglo-Saxon poetry. Many songwriters tried in vain to write songs as good as or better than Caedmon's, but could not because Caedmon's songs came from God. Founding band members Cliff, Danielle, and Aaron decided on the name "Caedmon's Call" after all three heard this story during the same week and thought it was fitting.

Click here to listen online:
www.last.fm/music/Caedmon

Click here to worship along:
www.youtube.com/watch?v=yEtYb_XDqjY

"Hungry"

This song was written by Kathryn Scott while living in Glasgow. Kathryn found her self desperate for the Lord and this song became her personal cry for revival.

Click here to listen to Kathryn share her story:
www.theheartofworship.org/stories.shtml

Hungry I come to You For I know You satisfy
I am empty but I know Your love does not run dry
So I wait for You So I wait for You I'm falling on my knees
Offering all of me Jesus You're all This heart is living for
Broken I run to You For Your arms are open wide
I am weary but I know Your touch Restores my life

Click here for Kathryns' myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=95452289

Here is Kathryns' bio:

Kathryn (Rainey) Scott was born into a very musical family with a passion for ministry. During her early childhood, her father Roy and singer/songwriter mom Mildred worked in a recording studio when the family wasn’t travelling across the UK with an evangelism group. It was during those early years that Kathryn made a decision to follow Jesus. And, by age 9, she had begun writing songs with the encouragement of her mom. At 19, she entered Elim Bible College (now Regent’s Theological College) in England, where she studied theology and met her future husband, Alan. The couple married after college and together began to seek God’s plan for their lives, believing they were called to plant a church but not sure of how to go about it. They began the journey by becoming assistant pastors at Alan’s home church, South West Glasgow Vineyard. At that time, Kathryn met award-winning artist and songwriter Brian Doerksen and began working with him to hone her own skills as a worship leader and songwriter. Soon after, she penned the songs Child of God and Hungry, which were eventually recorded by Vineyard Music. Two years later, Alan and Kathryn departed for Northern Ireland to plant a church of their own. A year later, Causeway Coast Vineyard began meeting in a local pub when the couple could find no other available venues. Within a few years, the church grew to a congregation of over 400 adults and 100 children. And, as the church grew, so did Kathryn’s reputation as a songwriter. She signed with Integrity Music and released her critically-acclaimed solo debut Satisfy in 2003. The CD included the popular songs At The Foot Of The Cross, Search Me, Know Me and the evergreen Hungry among others. She also continued writing with Doerksen and artist Paul Baloche, contributing songs and guest vocals to their recent Integrity CDs. In mid-December of ‘07, Kathryn will release I Belong, a studio recording produced by Brent Milligan. The CD features co-writes with Baloche and Doerksen and with her first writing partner and coach, her mom. Kathryn and Alan are busier than ever at Causeway and as parents to their young daughters Sophie and Emily Joy.

Click here to worship along with Kathryn Scott:
www.youtube.com/watch?v=6gPbAz4H6ZE

THIRD SERVICE 6PM

"Everlasting God"

Brenton Brown wrote this song after both he and his wife had being diagnosed with fibromyalgia. Brown described their illness in the following excerpt from Christianity today. Brown: It's called fibromyalgia, a form of Chronic Fatigue Syndrome. What defines it are the symptoms, the most obvious ones [being] fatigue. You feel jet-lagged most of the time. There are other symptoms like nausea, muscle pain, muscle aches. There's no known cure. Basically it was just like waking up one day and finding out that I had someone else's body. Very strange. I wasn't thinking as clearly. And over the last three years we've basically had to relearn how to live life with our new bodies. It's been a challenge. Chronic Fatigue is a little bit like having mono[nucleosis]. You feel very fatigued, very drained. And no matter how much you sleep, you're still going to feel tired. You can never shake off that tired feeling. I just kept going for six months. And then my pastor, the board of our church and the group of doctors that I was seeing all decided, "This is not working. You're not going to be able to force your way through this." Brenton Brown, born in South Africa, is a Christian songwriter and worship leader. He left South Africa for Oxford, England in his early twenties on a Rhodes Scholarship. While studying politics, philosophy and theology he joined the Vineyard music (UK), serving as worship pastor at the Oxford Vineyard, UK, and eventually as coordinator of the Vineyard (UK) Worship Development Team. His songs, Lord Reign in me, All who are thirsty, Humble King, Hallelujah [Your love is amazing] and Holy were recorded on the popular Vineyard UK projects during this time. He has since left the UK and now lives in Malibu, California with his wife, Jude.

Brenton is an artist on the worship label Survivor and in 2006 released his first solo album, Everlasting God with Survivor in the UK and rest of the world, and with Sparrow in the United States and Canada.

Check out Brenton’s ministry here:
www.myspace.com/brentonbrownmusic

Click here to listen to him share about how the song came about
www.youtube.com/watch?v=YePOcs88kqw

Click here to listen to Lincoln Brewsters' arrangement
www.youtube.com/watch?v=jP2nz6PG8KM&mode=related&search=

Click here to listen to Brenton Brown & Paul Baloche
www.youtube.com/watch?v=9bLWwnVBuF8

"Mighty To Save"

This is another song from the Hillsong music ministry in Sydney Australia. This song is by Reuben Morgan & Ben Fielding. This song has a great re-occuring text. "OUR GOD IS MIGHT TO SAVE". This is taken from the passage in Zephaniah 3:17. “The LORD your God is with you, he is mighty to save. He will take great delight in you, he will quiet you with his love, he will rejoice over you with singing."

Click here to read more about Reuben Morgan
http://en.wikipedia.org/wiki/Reuben_Morgan

Click here to worship along with the song:
www.youtube.com/watch?v=sR8rlTIU8_Y

“Enough”

This worship song is by Chris Tomlin. Chris is instrumental in shaping the language for this present body of worshippers. Chris wrote this song along with Louie Giglio. Louie gave Chris a note right before one of their passion tours. The note simply said:

God is enough, He is really more than enough.

Chris took the rough words and crafted the song around that one phrase. Chris showed up in Louie’s kitchen played it for Louie and it was then that Louie realized that the song was really birthed out of the heart of God.

Click here to hear the story in Louie & Chris’ words on New Song Café:
www.youtube.com/watch?v=MaLNjeTEeE4

Click here to worship along with Chris:
www.youtube.com/watch?v=wtnE_e1LylY

"For the Beauty of the Earth"

Folliot Sanford Pierpoint (1835-1917) was 29 years old when he returned to the city of his birth, Bath, England. The beauty of the countryside in the late spring inspired him to write the words to the hymn, “For the Beauty of the Earth.” Pierpoint included thanks for God’s creation, social blessings, and also thanked God for his spiritual blessings. This hymn was originally written for the communion service. Each stanza concluded with the words, Christ our God, to thee we raise this our sacrifice of praise, alluding to Hebrews 13:15.

For the beauty of the earth
For the glory of the skies,
For the love which from our birth
Over and around us lies.

Lord of all, to Thee we raise,
This our hymn of grateful praise.

For the beauty of each hour,
Of the day and of the night,
Hill and vale, and tree and flower,
Sun and moon, and stars of light.

Lord of all, to Thee we raise,
This our hymn of grateful praise.

For the joy of ear and eye,
For the heart and mind’s delight,
For the mystic harmony
Linking sense to sound and sight.

Behind the Praise - Sunday November 15, 2009

BLENDED WORSHIP 9:30AM

“Be Thou My Vision”

The text (Rop tú mo baile) is often attributed to Dallan Forgaill in the 8th century; in any case, this text had been a part of Irish monastic tradition for centuries before the hymn itself was written. It was translated from Old Irish into English by Mary E. Byrne in “Eriú," Journal of the School of Irish Learning, in 1905. The English text was first versified by Eleanor H. Hull in 1912, and this version of the lyrics is the most common. However, slight variations of these lyrics are sometimes seen. The first verse of Hull's version follows:

Be Thou my Vision, O Lord of my heart;
Naught be all else to me, save that Thou art
Thou my best Thought, by day or by night,
Waking or sleeping, Thy presence my light.

Thus, the English translation of the hymn itself is fairly recent and the Elizabethan vocabulary and structure is somewhat an anachronism. Be Thou My Vision has become the quintessential Irish hymn in English-speaking churches and is often sung around St. Patrick's Day. Despite its traditional nature and the seemingly archaic quality of the text, Be Thou My Vision has become a popular song performed by Contemporary Christian musicians, such as Rebecca St. James and Ginny Owens.

Click here to read about the origin of the hymn:
http://en.wikipedia.org/wiki/Be_Thou_My_Vision

Click here to listen to Rebecca St. James version
www.youtube.com/watch?v=5XZ3ja-quhA

"I Surrender All"

This powerful hymn was written by Judson W. Van DeVenter in 1896. He wrote the following in his journal:

The song was writ­ten while I was con­duct­ing a meet­ing at East Pal­es­tine, Ohio, in the home of George Seb­ring (found­er of the Seb­ring Camp­meet­ing Bi­ble Con­fer­ence in Seb­ring, Ohio, and lat­er de­vel­op­er of the town of Seb­ring, Flor­i­da). For some time, I had strug­gled be­tween de­vel­op­ing my tal­ents in the field of art and go­ing into full-time evan­gel­is­tic work. At last the pi­vot­al hour of my life came, and I sur­ren­dered all. A new day was ushered in­to my life. I became an evang­el­ist and dis­cov­ered down deep in my soul a tal­ent hi­ther­to un­known to me. God had hid­den a song in my heart, and touch­ing a ten­der chord, He caused me to sing "I surrender all, I surrender all, all to Thee my blessed Savior, I surrender all"

Click here to hear Ce Ce Winan sing this hymn:
www.youtube.com/watch?v=cjsz6fRnsDc

Click here to hear the Isaacs sing the song:
www.youtube.com/watch?v=QOq7p3RTm5w

Click here to watch a very moving liturgical dance to the song:
www.youtube.com/watch?v=4-VnQShgRYs

Win­field S. Weed­en wrote the music. In 1896 Weeden pub­lished a num­ber of books of re­li­gious mu­sic, but this song must have been one of his fa­vo­rites: its ti­tle was on his tomb­stone.

“Open the Eyes of My Heart”

Dove Award winner Paul Baloche believes the best worship songs spring from the act of worship itself. Case in point: "Open the Eyes of My Heart," birthed during prayer time at Community Christian Fellowship in Lindale, Texas, where he has served as worship pastor for more than 15 years.
Several years earlier Baloche heard a pastor pray, "Open the eyes of our hearts so that we can understand Your Word." The phrase stuck, inspiring Baloche to search the Scriptures—primarily Ephesians 1:18 and stories of biblical heroes who had seen the Lord in His glory.
Then one morning Baloche was lightly strumming his guitar as men and women came to the altar during a revival at his church. "The music had gone on for hours, and I had played everything I knew," he remembers. Aloud, he prayed, "Lord Jesus, we ask You to come and touch our hearts." At that moment "the phrase popped into my mind: 'Open the eyes of our hearts, Lord. We want to see You.'
"It felt right—a sincere prayer," he says. "I sang the phrase a few times and people started singing with me. I don't recall how the rest came about. I was just remembering when Isaiah saw the Lord, and thought, Lord, to see You high and lifted up. It's shining so bright, Lord. Shining in the light of Your glory."
Later that week, Baloche polished the idea into a simple prayer song. "I'd much rather stumble upon a song idea in the midst of worship or in the midst of prayer," he says, "because it rings more true than sitting in a room trying to come up with clever lyrics."
Baloche receives numerous e-mails from Christians sharing the impact the song has had in their lives. His voice cracks as he tells the story of a family that had gathered around the deathbed of a loved one who had asked them to sing "Open the Eyes of My Heart" together as his last prayer.
The song has been recorded many times and in many languages. According to Baloche, some of the most exciting moments on his recent world tour occurred in Sweden and Germany when he sang the song and the audience sang it back to him in their native language.
"It was beautiful," he says. "I feel extremely grateful to be part of a song that helps people connect with God."

Click here to listen to the song:
www.youtube.com/watch?v=XJ3tn2nJrDo

Click here for another arrangement:
www.youtube.com/watch?v=wutmEjdbedE

“I am Thine, O Lord”

This hymn text was written by Fanny Crosby with the music written by W. Howard Doane. Fanny Crosby was visiting Mr. W. H. Doane, in his home in Cin­cin­nati, Ohio. They were talk­ing to­ge­ther about the near­ness of God, as the sun was set­ting and even­ing sha­dows were ga­ther­ing around them. The subject so imp­ressed the well-known hymn-writer, that be­fore re­tir­ing she had writ­ten the words to this hymn, which has become one of the most use­ful she has ever writ­ten. The mu­sic by Mr. Doane so well fit­ted the words that the hymn has become a spe­cial fa­vo­rite wher­ev­er the Gos­pel Hymns are known.

Click here for a piano arrangement:
www.youtube.com/watch?v=LpaGx7dUsb4

Click here for a medley including “Draw me close & I am Thine, O Lord”
www.imeem.com/people/X1WDu4/music/nQ5EQkgj/donnie_mcclurkin_draw_me_closei_am_thine_oh_lord_draw_me_n/

Click here for an older recording of the Southeast inspiration choir: www.imeem.com/people/X1WDu4/music/nQ5EQkgj/donnie_mcclurkin_draw_me_closei_am_thine_oh_lord_draw_me_n/

“Grace Alone”

Scott Wesley BrownScott Wesley Brown is an artist whose career has spanned three decades, and continues to prove his relevancy to the changing times. Through the years, Scott Wesley Brown has left an indelible mark on Christian music…a prolific songwriter, dynamic vocalist, challenging author, international missionary, worship leader and Christian music pioneer!The past three decades have seen his signature on no fewer than 9 number one singles on the Adult-Contemporary and Inspirational charts. His songs have been recorded by Sandi Patti, Amy Grant, Bruce Carroll, Pat Boone, The Imperials, Petra and international opera star Placido Domingo.Scotts’ heart is mission minded - and his actions display that. Brown's journal records covert missions behind the Iron Curtain and the first publicly promoted Christian music event in the U.S.S.R. It was during this August, 1989 concert that over 15,000 Soviets heard the passionate cry for love and compassion while the Spirit moved some 2,000 to join in the family of Christ. He has taken over 100 musicians on trips to the mission field and provided hundreds of musical instruments to musicians and missionaries in third world and restricted access countries.

Click here to learn more about Scott:
www.scottwesleybrown.com

Click here to worship along with the
www.youtube.com/watch?v=b6lhilgWXIE

Click here to listen to a choral arrangement:
www.youtube.com/watch?v=MbSGNve6e7U&feature=related

Every promise we can make, every prayer and step of faith,
Every difference we will make is only by His grace.
Every mountain we will climb, every ray of hope we shine,
Every blessing left behind is only by His grace.
Grace alone which God supplies,Strength unknown He will provide.
Christ in us our Cornerstone;We will go forth in grace alone.
Every soul we long to reach, every hearth we hope to teach,everywhere we share
His peace is only by His grace. Every loving word we say,
Every tear we wipe away,every sorrow turned to praise is only by His grace.


CONTEMPORARY 11:00 AM

"Here is our King"

This worship song was written by David Crowder in response the Tsunami on December 24, 2004. David and his wife were watching the images of devastation preparing to attend the Passion meeting in Nashville later that month. David was having trouble processing the level of devestation. He remembered telling his wife that 9-11 made more sense, as we are used to humanity doing something to each other. Historically we've done unkind things to each to each other and all we have to do is turn on the news. David knew how to process that devestation, but to be able to see such devestation unfold before his eyes was a new process for him. He struggeld with how to look at that and still say "God is Good". This song was David's response to God in the face of such a tragedy.

From wherever spring arrives to heal the ground
From wherever searching comes the look itself
A trace of what we’re looking for So be quiet now and wait
The ocean is growing the tide is coming in Here it is
Here is our king, here is our love
Here is our God who’s come to bring us back to him
He is the one, he is Jesus, Jesus

Click here to worship along with David Crowder:
www.youtube.com/watch?v=n6Fl_nqGJc0

Click here to listen to David share about how the song came about:
www.youtube.com/watch?v=Aea5Mq4sSUA

"Beautiful One"

Tim wrote this song based upon Isaiah 53:

Click here to listen to Tim Hughes share how he wrote the song:
www.youtube.com/watch?v=LJj6fiJ2aW8&mode=related&search=

Click here to worship along with Jeremy Camp
www.youtube.com/watch?v=pdF-cBk9CBU

Click here to worship along with Tim Hughes
www.youtube.com/watch?v=sMyVZW0zY14&mode=related&search=

Click here to learn more about Tim
www.timhughesmusic.com/

"Wonderful Maker"

What a wonderful Maker
What a wonderful Savior
How majestic Your whispers
And how humble Your love
With a strength like no other
And the heart of a Father
How majestic Your whispers
What a wonderful God

Click here to listen to the song:
www.youtube.com/watch?v=KoYWDCwxExs

Click here for Chris Tomlins' arrangement:
www.youtube.com/watch?v=NPT-8zrWWJk

“How Great Thou Art”

The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.

How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.

Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=

THIRD SERVICE 6PM

"Here is our King"

This worship song was written by David Crowder in response the Tsunami on December 24, 2004. David and his wife were watching the images of devastation preparing to attend the Passion meeting in Nashville later that month. David was having trouble processing the level of devestation. He remembered telling his wife that 9-11 made more sense, as we are used to humanity doing something to each other. Historically we've done unkind things to each to each other and all we have to do is turn on the news. David knew how to process that devestation, but to be able to see such devestation unfold before his eyes was a new process for him. He struggeld with how to look at that and still say "God is Good". This song was David's response to God in the face of such a tragedy.From wherever spring arrives to heal the ground From wherever searching comes the look itself A trace of what we’re looking for So be quiet now and wait The ocean is growing the tide is coming in Here it is Here is our king, here is our love here is our God who’s come to bring us back to him He is the one, he is Jesus, Jesus

Click here to worship along with David Crowder:
www.youtube.com/watch?v=n6Fl_nqGJc0

Click here to listen to David share about how the song came about:
www.youtube.com/watch?v=Aea5Mq4sSUA

“You never let Go"

This powerful new song by Matt Redman has been described as follows from Christianity Today:"You Never Let Go" begins with a quiet piano and moody atmospherics that mirror far-from-ebullient lyrics based on Psalm 23: Even though I walk through the valley of the shadow of death/You're perfect love is casting out fear/And even when I'm caught in the middle of the storms of this life/I won't turn back, I know you are near…The chorus is a loud, exultant proclamation that God will never let go of us and in it Redman uses the minor-key construction to subtly (and maturely) declare that God's love is still valid, even in the midst of pain.

Click here to listen watch the video
www.youtube.com/watch?v=SIAdgLR1ZGw

Click here to read more about Matt Redman on his myspace - you can play the song directly from his stand-alone player and can buy the song from his website
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=120781688

Even though I walk through the valley of the shadow of death
Your perfect love is casting out fear
And even when I’m caughtin the middle of the storms of this life
I won’t turn back I know You are near
And I will fear no evil For my God is with me
And if my God is with meWhom then shall I fear?
Whom then shall I fear?Oh no, You never let go
Through the calm and through the stormOh no,
You never let go In every high and every lowOh no,
You never let go Lord, You never let go of me

“Remedy"

This song is by David Crowder. As you might guess from the title and the medical cross on the cover, Remedy focuses on God's constant presence as the answer to our hurts while challenging listeners to be the balm needed in the lives of others. Indeed, the Texas band's 2007club tour is part worship experience, part rallying cry to inspire change in local communities. At the same time, one could view this album as the band's personal healing in response to the tragic death of their friend and pastor Kyle Lake shortly after the release of A Collision.
Here is Davids' answer to what is worship? This is actually a really difficult question because language is such a fluid thing. A word like “worship” changes and evolves and provokes different meanings for different community sets. Over the last few decades, at least within Christian culture, the word has become synonymous with “music within a congregational context.” You say the word “worship” and a person immediately pictures in his head people singing in a room with lyrics projected on a screen. Words and the objects they signify are very difficult to separate. I’ll show you what I mean. Okay, in your head, say the word, “eight”—and try to not picture the number eight. It’s nearly impossible. So, once a word begins to signify something, it is hard to separate it from the thing it is signifying. For me, I tend to not trust moments of congregational singing as an indicator of where our true affections lie. It is a very simple thing to get caught up in the beauty of music and song erupting in a room full of people. So I rarely trust that moment. I think a better indicator of worship may be the way we interact with the world around us.

Click here to watch the David Crowder band on tour:
www.youtube.com/profile?user=davidcrowderband

Click here to learn more about The David Crowder band:
www.davidcrowderband.com/

Click here to visit Davids' myspace:
www.myspace.com/davidcrowderband

Click here to worship along with a powerful video:
www.youtube.com/watch?v=O3UWiJCZAz8

Click here for a live performance:
www.youtube.com/watch?v=zGIth9d_LXE&feature=related

Here we are Here we are The broken and used Mistreated, abused
Here we are Here You are Here You are
The beautiful one Who came like a Son
Here You are So we lift up our voices
We open our hands To cling to the love
That we can’t comprehend

“Nothing but the Blood"

Paul, under the inspiration of the Holy Spirit, would write these words, "Whom God hath set forth to be a propitiation through faith in his blood, to declare his righteousness for the remission of sins that are past, through the forbearance of God." (Romans 3:25) The emphasis of this verse is on the shed blood that satisfies or propitiates our sin debt. Another way of saying the same thing is, "What can wash away our sin? Nothing but the blood of Jesus." More than likely it was this verse or one like it, dealing with the subject of blood, which caused Pastor Robert Lowry to write a hymn.
Born in Philadelphia, on March 12, 1826, young Robert accepted Christ as his personal Savior at the age of 17 and later graduated from Bucknell University with high scholastic honors. In the 73 years of his life here on earth, he pastored churches in Philadelphia, New Jersey, New York City and Brooklyn. Along with his preaching, Dr. Lowry also had the gift of music in the writing of hymns. When asked about his method for writing songs, he would answer by saying:
I have no set method. Sometimes, the music comes and the words follow…. I watch my moods, and when anything strikes me, whether words or music, no matter where I am, at home or on the street, I jot it down…. My brain is sort of a spinning machine, for there is music running through it all the time. The tunes of nearly all the hymns I have written have been completed on paper, before I tried them on the organ. Frequently, the words of the hymn and the music have been written at the same time.
He supplied the music for such familiar hymns as We’re Marching to Zion, Savior, Thy Dying Love, Where Is my Wandering Boy Tonight, I Need Thee Every Hour and Fanny Crosby’s song, All the Way my Savior Leads Me. The words and music would come together in 1864 to produce Shall We Gather at the River. Then, in the Easter season of 1874, Christ Arose would flow from his pen and his heart. Finally, in 1876, Pastor Lowry would give us the answer to our sin debt in his song, Nothing but the Blood.
Down through the ages, man has tried to work off his sin debt in good works and religion—only to fail. The Bible says, "Without the shedding of blood, there is no forgiveness." (Hebrews 9:22) Robert Lowry understood this very well:

Oh! Precious is the flow
That makes me white as snow
No other fount I know,
Nothing but the blood of Jesus.

Click here to sing along with the song:
www.youtube.com/watch?v=pxDHamIhF7o

Click here for an organ arrangement:
www.youtube.com/watch?v=QvNNFPBkEsw


"Because of Your Love"

Click here to learn more about Phil Wickham:
www.myspace.com/philwickham

Jesus you endured my pain
Savior you bore all my shame
All because of your love
All because of your love
Maker of the universe
Broken for the sins of the earth
All because of your love
All because of your love
Because of your cross my debt is paid
Because of you blood my sins are washed away
Now all of my life, I freely give
Because of your love, Because of your love I live

Click here to worship along with Phil:
www.youtube.com/watch?v=hjMgPB7Pmog